Motorways occasionally serve as the foreground of the grandiose alpine landscapes they are shown crossing; in other images they are glimpsed in the distance, while the detail of grassy silhouettes stands out against a lunar pond in a play of motifs that verges on the abstract. By bringing together different timeframes in one and the same image – the modernity of the highway system before the permanence of mountains’ geological layers, the concrete ribbon of an overhead motorway before the picturesque aspect of the Swiss landscape, or a mineralogical tangle of computer cables (CERN) – Faure offers up a certain image of progress.
As the photographer explains, “The two subjects that appeal to me the most since coming back from the United States in 1982 are modernity and identity. What era do things speak to us of ? What heritage are they offering us for tomorrow ? These motorway installations, full of artificial marshes and curtains of trees, selected one by one, perfectly illustrate our engineering culture and our cult of the ‘ neat and tidy ’ ”. Faure’s images make it possible to perceive that the natural may well be more artificial than meets the eye, and that the modernity of concrete surfaces can combine pertinently with the views of a vernacular Switzerland.